2020. 2. 14. 12:56ㆍ카테고리 없음
Ok so I come from a media 100 for serious things and imovie for non serious things background when it comes to video editing. Recently I've began to try to teach myself Final Cut Pro, but there's just some key differences that have been irritating me. Import DJI Mavic Pro 4K video to iMovie on Mac for editingThe DJI Mavic Pro is a small yet powerful drone that turns the sky into your creative canvas easily and without worry, helping you make every moment an aerial moment.
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So do not lose it. By, DigitalFilm Tree (2) $49.99 $42.49 (as of 22:20 PST) from $0.04 (as of 22:20 PST) Final Cut Pro is a serious tool for serious (usually professional) editors. If you're like most users, you already know the software's interface, are well-versed in editing basics, and are interested in just one thing: going as deep as possible with the software's tools and features. In this comprehensive guide, award winning experts from post-production house DigitalFilm Tree deliver hard-to-find training in real-world color correction and effects techniques using Final Cut Pro 5. With the help of these experts, you'll learn invaluable advanced effects techniques, including motion and filter effects, keying and compositing, creating animated titles and how to apply effects to nested sequences. In the extensive color correction section of the book, hands-on tutorials will guide you through scene-to-scene color matching, and correcting for broadcast specifications.
Finally, you'll learn to harness LiveType's capabilities (and media library) to create professional and compelling opening titles. Each chapter in this self-paced, Apple-authorized guide represents a self-contained lesson, with a project to complete, a review section, and bonus exercises to reinforce what you've learned. The accompanying DVD includes lesson files and all the materials you'll need to complete the book's projects. Alexis Van Hurkman is a writer, director, visual effects artist, and colorist. He was also the lead writer of the Final Cut Pro User Manual for versions 2,3, and 4, and of the Shake User Manual for versions 3.5 and 4. As a postproduction artist, Alexis has contributed effects for and color corrected a wide variety of commercial and independent projects, including a collaboration with Harrel Fletcher and Elizabeth Meyer on The Forbidden Zone.
Most recently he completed the feature Four Weeks, Four Hours (www.alexisvanhurkman.com) DigitalFilm Tree is a research and development-based post production facility, specializing in cutting edge digital workflows and consulting services. Located in Hollywood, California, DigitalFilm Tree’s credits include Miramax’s “Cold Mountain”, Fox-Searchlight’s “Napoloen Dynamite” and NBC’s hit show “Scrubs”.
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For this book DigitalFilm Tree engaged some of its top color correction and effects experts for contributions and feedback (www.digitalfilmtree.com). Rank: #277999 in Books. Published on: 2006-01-01. Original language: English. Number of items: 1.
Dimensions: 9.17' h x 1.10' w x 7.28' l, 2.78 pounds. Binding: Paperback.
648 pages.
Exciting thing #1. I got approval this week to go to Vancouver to take the 5 days of Final Cut Pro training at the Emily Carr Institute on Granville Island. This is my plug for PD when getting teachers to use technology. Despite using Final Cut Express for the past few years at home, there is simply too much in FCP to know without some serious hands-on PD- the type a book and data DVD just can't give me.
This course will also allow me to be one step ahead of my students who are quickly passing me in ability with FCE. Teachers have too often been asked to be a part of new initiatives with technology without proper training.
Thankfully, I'm a part of a 1:1 project that is going about things properly and is concentrating on getting teachers comfortable with the Mac platform (again). PD is is now integrated with our PLN's online, which makes for exciting times! It still amazes me that I can iChat with in Little Rock for advice while a colleague of mine, Terry Kaminski Skypes with a contact in Asia and regularly seeks guidance from a 1:1 project in Boston. These are exciting times indeed. You'll have to forgive me if your reaction to this is 'been there, done that.' Why does this rock for my classroom? The videos produced from the students' uploaded pictures look professionally done!
So much so that tomorrow I am going to have my entire class sign up, upload pictures of their author they are researching, and use Animoto to create a cool looking video. Then, after they download the mp4 file version of it, they will import it and post it on their poetry glog page. The idea is to do a multimedia representation of a poem from their assigned author with images and music that compliment the mood tone and meaning of it. One teaching moment that I will have with the students in this crazy tech savvy world is about the importance of giving credit for the photos and music that they use on Animoto.
The exported Animoto movies add a music video style credit in the bottom left corner to the artist they have picked and of course, an Animoto.com logo. Possible workaround for this include uploading the original music created by students in Garageband or recorded with instruments and my Blue Snowball USB mic. I'm looking forward to using animoto.com to create an intro for my Apple Educator application.